Starring Baylie Carson, Andrew Cutcliffe, Natalie Gamsu, Abe Mitchell, Billie Rose Pritchard, Sean O’Shea, and Justin Smith
Hayes Theatre Co, Sydney
4 January – 3 February 2018
Directed by Lee Lewis
Book by Katherine Thomson
Music by Max Lambert
Based on the book DARLINGHURST NIGHTS by Kenneth Slessor
And an original concept by Andrew James
Directed by Lee Lewis
Musical Director Max Lambert
Choreographer John O’Connell
Lighting Designer Trent Suidgeest
Designer Mason Browne
Produced by Richard Carroll
This classic Australian musical takes place on the streets around Hayes Theatre Co. Celebrating the show’s 30th anniversary, Hayes Theatre Co will present a new production from Helpmann Award-winning director Lee Lewis (The Bleeding Tree).
“As Kings Cross wanders in a fog of transition, the time has never been better for the theatre to remind us of where we have come from,” said director Lee Lewis. “Sometimes it is important to look back in order to find our way forward, as artists and as a society. Darlinghurst Nights is one of the great artistic markers of identity woven together with the voices of two of our greatest writers, Kenneth Slessor and Katherine Thomson. Together they speak in a work that is distinctively Australian of what will always matter to us, as artists, as a city and as a society.”
Darlinghurst Nights explores the seductiveness of a life authentically lived, of a world where people can live without fear of intolerance amidst Sydney’s most colourful strip. Set during the 1920s and 30s, and inspired by Sydney poet Kenneth Slessor, writer Katherine Thomson (Diving For Pearls) and composer Max Lambert (Miracle City) capture a time when Kings Cross was the only place in Sydney where a person could live anonymously; where bohemian lifestyles were accepted and even encouraged.
The three women in the story – Mabel, Cora and Rose – come from different backgrounds and find themselves in different situations, but they are all fighting against the restrictions imposed on them by society and circumstance, and are searching for a way to live the lives they want for themselves.
At another moment of existential upheaval for Kings Cross, Darlinghurst Nights takes us back 80 years to a world we recognise, but are in danger of losing.
“Part of Darlinghurst Nights success and appeal is it speaks of another time,” said composer Max Lambert. “Kings Cross was the first high rise in Australia – with all that entails – and I think Darlinghurst Nights still speaks to us as the Cross changes again.”
The show was first produced by the Sydney Theatre Company in 1988 where it was a phenomenal success, and was revived in 2000 for the Olympic Arts Festival at Sydney Opera House.
“Just about as perfect as could be”
– The Australian
“A true delight”
“Deeply and satisfyingly Australian theatre”